The Gods of Second ChancesApril 9, 2014
You know how I love to bring you a book I love. As an author, I get asked to blurb other books. Sometimes, I can't do it (I don't love the book enough or I just don't have the time to read it). Other times, I'm quite happy to put my name on a book.
And sometimes I'm lucky enough to be thrilled to be one of the first few to read something amazing, something I can tell you about. The Gods of Second Chances is one of those.
I love the way Dan Berne writes. His voice, while matter-of-fact and succinct, is unique. For example: When you live on an island as small as Yatki, it doesn’t take long for folks to hear about the latest chapter in your life. Part of that is natural gossip and part is because we look out for each other. We have this natural contradiction of believing that people should mind their own business, but as soon as the winds shift, it seems like everyone is giving you the fish eye.
From the back of the book:
Family means everything to widowed Alaskan fisherman Ray Bancroft, raising his granddaughter with help from a multitude of gods and goddesses--not to mention rituals ad-libbed at sea by his half-Tlingit best friend. But statues and otter bone ceremonies aren't enough when Ray's estranged daughter returns from prison, her search for a safe harbor threatening everything he holds sacred.
I got a chance to interview Dan Berne, and Forest Avenue Press will give away a copy to someone who comments!
So happy to have you here, Dan! What I love about your book are the characters. They're real, vital, alive, and absolutely as flawed and vulnerable as real people. Even months later, I remember small details about them.
What was your favorite scene while writing the book?
Early on in the novel, after receiving a letter from his wayward daughter, Ray goes to his local tavern and, uncharacteristically for him, gets drunk. He wakes up in the middle of the night and wanders outside his house. Still feeling the effects of the alcohol, he falls onto his back and looks up into the night sky. He imagines one of the constellations looks like his deceased wife. He pours out his longing and desire, fueled by the pain of loss. The raw emotion of that scene still gets to me every time I read it.
What was the hardest part of writing it?
The ending was the toughest. I had lost my wife to breast cancer when I was writing the first draft. I couldn't see my way through to an ending at that point and had to put the manuscript away for about six months. I think that is also what fueled the raw emotion in the scene above, which somehow was more cathartic to write.
Holy cow, I'm sorry to hear that. That explains the raw intensity, for sure. Can you tell us about your writing process?
I start with a pretty good idea of my main characters: what's motivating them, what’s getting in their way, and how I can make them human. Actually, I like to torture my characters a bit, bringing out their foibles even when their intentions are good. That being said, I am often surprised at where a character will take me. I don't outline but I do ask myself, "What ten things need to happen in this story?" Then I try to turn at least some of those upside down. For example, if I think two characters must get together romantically, I will ask myself, "Well, what if they don't?"
As I go along, I always ask myself what needs to change in the particular chapter I am working on.
I love to read other novels when I am writing. It keeps me inspired. Last, but not least, I love language. I love the sound of words. This can make me a slow writer. I will worry over a sentence and revise it several times, even during a first draft.
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